Young virtuosa Tina S lays down a wonderful cover of the Dr. Viossy guitar arrangement of the third movement of Beethoven’s Moonlight Sonata (Piano Sonata No. 14, Op. 27, No.2).
This is, of course, the “presto agitato” third movement of the Moonlight Sonata. (Beethoven called the sonata “Sonata quasi una fantasia” – sonata, almost a fantasy. The term “Moonlight” wasn’t applied until after Beethoven’s death and referred to the first movement.)
I have been hoping that Tina would tackle this piece, and I’m glad she did!
Tina plays a custom Vigier Excalibur Custom guitar.
Another brilliantly played cover by 16 year old Tina S.
Please stay away if you are going to say, “Lots of people can play this.” 🙂 Those “lots of people” can’t play it at this level and quality of personal distinction. Isn’t the point crucial? Quality is crucial. In fact, Tina’s level of playing and trajectory of development are somewhat like:
This can be heard by perceptive listeners through whatever styles she is playing or the level of musical depth and complexity of particular pieces.
Exciting, brilliant, top-level cover, Tina!
I have posted many of Tina’s videos (with comments) on this site, but be sure to visit her YouTube site, too. She has posted a variety of covers.
[Tina was taught and filmed by Renaud Louis-Servais.]
But I’m not sure the self-delusion will end. Happy birthday, T-Bone Burnett.
I haven’t been able to post much here recently (but should be back to normal soon), but you know I’m not going to miss a new video by the wonderful Tina S!
As usual with Tina’s posts, this video is fabulous to listen to. It may be her most impressive yet.
I listened to it a few times last night, and I need to say to anyone who sees this post, please check out the video. Don’t miss this one! It is a magnificent and masterful cover.
Jason Becker’s “Altitudes”. I think you will agree that this is a true tour de force by young Tina (age 16), whether or not you like “neo-classical metal”.
Tina is step-by-step honing a very individual style…intense and edgy, punctuated by brushstrokes of great beauty. (I would easily recognize her playing in a crowd of covers, and it stands out prominently against competent slicker ones.) In this video, in addition to her remarkable flow, “line”, and compelling note values, her (apparently controversial) vibrato is powerful, edgy, almost ominous at times. To wax poetic, Tina is like a beautiful young valkyrie battling the elements with evolving style and power! She is an endlessly fascinating and exciting young guitarist, far out of the ordinary.
“Altitudes” is a fine composition by Jason Becker, (who, by the way, agrees on the merit of Tina’s playing) and points the way to some exciting things that can be done in the neo-classical field. My personal hope is that Tina pursues this path as it seems to be congenial to her; but, of course, I will support her whatever she chooses (and whatever path she takes will be exciting and awesome, it is clear by now).
Metallica to Satie. (That’s the way I operate…always have.)
Tina is building an interesting (and highly popular) cover oeuvre while mastering a wide variety of essential guitar skills. This one displays her aggressive and powerful playing and some really formidable lyrical skills. These lyrical skills are one of the foundations of masterful playing, and I am pleased to hear them here is such clear form and am once again very impressed with this wonderful girl (16 y.o.) whose determination and trajectory appear to be relentless! Nice, Tina!